Die Hard 2 (Renny Harlin, 1990)

Spirited if misguided attempt at improving the original by ramping up the action, threat and scope of the story, destroying in the process much of what made the first one great.

A film clearly far too ambitious for the writers and directors who worked on it, Die Hard 2 is sprawling, aimless and full of hundreds of screeching unsympathetic minor characters. This time we find Detective John McClane battling a confused mix of military, mercanery and drug lord against the admittedly atmospheric background of a Christmas-time Dulles International Airport.

The tense stand-offs of the first film are replaced with countless nonsensical overlong gun battles, the unique locations with huts and tunnels and the charasmatic villains with silly action figures. A few clever moments and pretty snowscapes raise the film now and then, but it's never more than a minute or two away from its noisy, clumsy roots.

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Capcom Fighting Collection 2 [PS4, 2025]

This is the third of Capcom's in-house "fighting collection" releases. It focuses on the late '90s - early 2000s, when development had moved to the NAOMI arcade board. This was a time when general public interest was moving away from the oversaturated fighting game market and into the new and expansive three-dimensional space. Eight titles comprise the collection; Capcom vs SNK Pro (2000) Capcom vs SNK 2 (2001) Capcom Fighting Jam (2004) Street Fighter Alpha 3 Upper (2001) Power Stone (1999) Power Stone 2 (2000) Plasma Sword (1998) Project Justice (2000) The Capcom vs SNK games are the undoubted highlight; the experimental, flawed first game and the massive follow-up still look great and both feature huge rosters of characters, expansive, complex battle systems and hidden secrets. As with the rest of the CFC run, archive material, training modes, display filters, extra options, modern control considerations and rollback netcode are all great benefits. Also returnin...

Manhunter (Michael Mann, 1986)

Extremely effective, genuinely tense and intelligently constructed serial killer film, elevated way above the norm by Michael Mann's elegant direction, a strong cast, gorgeous photography and a moodily evocative synthesised soundtrack. Sensibly reigning in the more over-the-top moments of Thomas Harris' original novel, Manhunter is far more than the sum of its parts; managaing to be chilling, haunting, funny and thrilling by turn, succeeding everywhere the increasingly cynical and ridiculous sequels/remakes failed to do.

300 (Zack Snyder, 2007)

300 is hopefully the purest distillation of that 21st century cinema spectacle, the "CGI armies colliding" film that filmgoers will ever see. Lovingly recreating Frank Miller's not-particularly historical comic, Zack Snyder has delivered a quite hysterically over-the-top and ludicrously macho piece of celluloid gristle. Let it be said, there are no characters in this film whatsoever. There is a beard. There are a couple of hundred six-packs, some breasts and some black skin. These items roll around on screen in assorted combinations for two hours and then it's over. What have we learned at the end? God knows. That a warrior race which kills imperfect newborn babies and feeds its young to hungry wolves can champion logic, learning, female empowerment, enlightenment, free will and numerous exciting sexual positions, apparently. Even without thinking about things, 300 is a drag. The action centres upon the titanic Persian army and its repeated attempts to break the S...

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