Transformers (Michael Bay, 2007)

Few directors could take a premise as potentially explosive as a giant robot war on Earth and make it boring, but Michael Bay manages with effort to spare. Overlong, woefully unfunny, and filmed like an advert for a men's razor, Transformers limps along as one-dimensional character cyphers run back and forth, chasing an increasingly ridiculous set of plot devices, while violence sporadically erupts, and is instantly rendered nigh-unwatchable thanks to Bay's dreadful shaky-cam direction.

With a bland, identikit cast that has clearly mistaken shouting for acting it is down to the Transformers themselves to provide the human interest, but apart from the platitude-spouting Optimus Prime and the silent Bumblebee, the rest of the robots look and sound too similar and do too little to be in any way memorable.

This is a terrible film, one which no amount of nostalgia or brainless summer apologism can possibly excuse. And if the rumours are true that it was only ever made because producer Don Murphy failed to get the rights to 'G.I. Joe', a film that never should have been made in the first place.

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Manhunter (Michael Mann, 1986)

Extremely effective, genuinely tense and intelligently constructed serial killer film, elevated way above the norm by Michael Mann's elegant direction, a strong cast, gorgeous photography and a moodily evocative synthesised soundtrack. Sensibly reigning in the more over-the-top moments of Thomas Harris' original novel, Manhunter is far more than the sum of its parts; managaing to be chilling, haunting, funny and thrilling by turn, succeeding everywhere the increasingly cynical and ridiculous sequels/remakes failed to do.

Chocolate (Prachya Pinkaew, 2008)

Taking the timeless cultural meme of the wordless martial arts protagonist to its logical conclusion, CHOCOLATE is a Thai kickboxing film centring around Zen, the daughter of a crime boss and a gang enforcer. Zen is autistic, withdrawn and as luck would have it gifted with incredible senses of hearing and spacial awareness. Growing up living opposite a Muay Thai training school, when her mother becomes ill she and her brother decide to try and call in some of mum's past gangland debts to pay for her medicine. CHOCOLATE is somewhat postmodern as far as martial arts movies go. At several points, clips of ONG BAK appear on television, while Zen's first fight sees her whooping and wailing a la Bruce Lee and the credits even have a Jackie Chan-esque outtake reel running behind them. It wears its influences on its torn and tattered sleeve. But it's still a martial arts movie through and through. The main character and sidekick run into a series of elaborate brawls in acroba...

Capcom Fighting Collection 2 [PS4, 2025]

This is the third of Capcom's in-house "fighting collection" releases. It focuses on the late '90s - early 2000s, when development had moved to the NAOMI arcade board. This was a time when general public interest was moving away from the oversaturated fighting game market and into the new and expansive three-dimensional space. Eight titles comprise the collection; Capcom vs SNK Pro (2000) Capcom vs SNK 2 (2001) Capcom Fighting Jam (2004) Street Fighter Alpha 3 Upper (2001) Power Stone (1999) Power Stone 2 (2000) Plasma Sword (1998) Project Justice (2000) The Capcom vs SNK games are the undoubted highlight; the experimental, flawed first game and the massive follow-up still look great and both feature huge rosters of characters, expansive, complex battle systems and hidden secrets. As with the rest of the CFC run, archive material, training modes, display filters, extra options, modern control considerations and rollback netcode are all great benefits. Also returnin...

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